I CHING & TAROTEST. 2026
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31 / THE BOOK OF CHANGES

Influence

咸 · Influence

Upper: Dui · Lake Lower: Gen · Mountain

THE JUDGMENT · CLASSICAL ORIGINAL
咸,亨,利貞,取女吉。
Zhouyi, received text. Traditional characters are retained from the electronic reference; punctuation is editorial.

A contemporary perspective

Mutual influence starts with listening. Distinguish a real response from your own hopes.

This is Fatefold’s original reflective interpretation, not a word-for-word translation or a classical prediction about a modern question.

Classical line statements · bottom to top

01

初六
咸其拇。

02

六二
咸其腓,凶,居吉。

03

九三
咸其股,執其隨,往吝。

04

九四
貞吉,悔亡,憧憧往來,朋從爾思。

05

九五
咸其脢,无悔。

06

上六
咸其輔頰舌。

Read the structure

The lower trigram is Gen · Mountain; the upper is Dui · Lake. The six lines describe positions and stages within one situation, rather than six independent answers. Mutual influence starts with listening. Distinguish a real response from your own hopes.

Tuan commentary · reading the judgment

咸,感也。柔上而剛下,二氣感應以相與,止而說,男下女,是以亨,利貞,取女吉也。天地感而萬物化生,聖人感人心而天下和平。觀其所感,而天地萬物之情可見矣。

The Tuan discusses the judgment through polarity, position and timing. Its conditions belong with the judgment; an isolated favorable or unfavorable word does not settle a whole situation.

Great Image · from pattern to conduct

山上有澤,咸,君子以虛受人。

The Great Image turns Influence into a model for conduct. Alongside divinatory language, this layer asks how to act. Consider whether your approach to influence fits the actual conditions.

Line-by-line commentary

初六 · 1

咸其拇。

《小象》:咸其拇,志在外也。

An early impulse can be observed before action.

The first line concerns an initial stage and its readiness.

六二 · 2

咸其腓,凶,居吉。

《小象》:雖凶居吉,順不害也。

Rest can be wiser than following an impulsive movement.

Line two is central within the lower trigram; consider nearby coordination. Centrality is not an automatic favorable verdict.

九三 · 3

咸其股,執其隨,往吝。

《小象》:咸其股,亦不處也,志在隨人,所執下也。

Examine an impulse before following it.

Line three ends the lower trigram and invites attention to a threshold and its pressures.

九四 · 4

貞吉,悔亡,憧憧往來,朋從爾思。

《小象》:貞吉悔亡,未感害也;憧憧往來,未光大也。

Sincere steadiness matters more than anxious oscillation.

Line four enters the upper trigram; consider a transition of setting or responsibility.

九五 · 5

咸其脢,无悔。

《小象》:咸其脢,志末也。

A bounded response need not become excessive.

Line five is central in the upper trigram; consider responsibility and the use of resources.

上六 · 6

咸其輔頰舌。

《小象》:咸其輔頰舌,滕口說也。

Verbal influence needs actions that substantiate it.

The top line ends this pattern; consider excess, closure and a next stage.

Relate it to your question

Separate known facts, unconfirmed information and available actions. Which part of this symbol fits, and which does not?

Primary text and Wings · Influence ↗ · 2026.10.08.2

Source & further reading

Digital Chinese Classics · Zhouyi, hexagram 31 ↗

Chinese Text Project · Book of Changes ↗

Text extraction and reference check: 2026-10-08. Readings vary between editions; consult the original for textual scholarship.

Which part of the pattern relates to your situation? Consider the historical context before bringing your own experience to reflection.

Begin your own reading
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