I CHING & TAROTEST. 2026
← The 64 hexagrams
22 / THE BOOK OF CHANGES

Grace

贲 · Grace

Upper: Gen · Mountain Lower: Li · Fire

THE JUDGMENT · CLASSICAL ORIGINAL
賁,亨,小利有攸往。
Zhouyi, received text. Traditional characters are retained from the electronic reference; punctuation is editorial.

A contemporary perspective

Presentation can make meaning accessible. Keep substance at the center of what you express.

This is Fatefold’s original reflective interpretation, not a word-for-word translation or a classical prediction about a modern question.

Classical line statements · bottom to top

01

初九
賁其趾,舍車而徒。

02

六二
賁其須。

03

九三
賁如濡如,永貞吉。

04

六四
賁如皤如,白馬翰如,匪寇婚媾。

05

六五
賁于丘園,束帛戔戔。吝,終吉。

06

上九
白賁,无咎。

Read the structure

The lower trigram is Li · Fire; the upper is Gen · Mountain. The six lines describe positions and stages within one situation, rather than six independent answers. Presentation can make meaning accessible. Keep substance at the center of what you express.

Tuan commentary · reading the judgment

賁亨。柔來而文剛,故亨。分剛上而文柔,故小利有攸往。天文也,文明以止,人文也。觀乎天文,以察時變,觀乎人文,以化成天下。

The Tuan discusses the judgment through polarity, position and timing. Its conditions belong with the judgment; an isolated favorable or unfavorable word does not settle a whole situation.

Great Image · from pattern to conduct

山下有火,賁。君子以明庶政,无敢折獄。

The Great Image turns Grace into a model for conduct. Alongside divinatory language, this layer asks how to act. Consider whether your approach to grace fits the actual conditions.

Line-by-line commentary

初九 · 1

賁其趾,舍車而徒。

《小象》:舍車而徒,義弗乘也。

Choose a form of presentation consistent with one's means.

The first line concerns an initial stage and its readiness.

六二 · 2

賁其須。

《小象》:賁其須,與上興也。

An ornament depends on the substance it accompanies.

Line two is central within the lower trigram; consider nearby coordination. Centrality is not an automatic favorable verdict.

九三 · 3

賁如濡如,永貞吉。

《小象》:永貞之吉,終莫之陵也。

Presentation needs durable principles to retain substance.

Line three ends the lower trigram and invites attention to a threshold and its pressures.

六四 · 4

賁如皤如,白馬翰如,匪寇婚媾。

《小象》:六四當位,疑也;匪寇婚媾,終无尤也。

An unfamiliar appearance need not indicate hostile intent.

Line four enters the upper trigram; consider a transition of setting or responsibility.

六五 · 5

賁于丘園,束帛戔戔。吝,終吉。

《小象》:六五之吉,有喜也。

A modest gift can carry sincerity despite embarrassment.

Line five is central in the upper trigram; consider responsibility and the use of resources.

上九 · 6

白賁,无咎。

《小象》:白賁无咎,上得志也。

Plainness can let the substance stand clearly.

The top line ends this pattern; consider excess, closure and a next stage.

Relate it to your question

Separate known facts, unconfirmed information and available actions. Which part of this symbol fits, and which does not?

Primary text and Wings · Grace ↗ · 2026.10.08.2

Source & further reading

Digital Chinese Classics · Zhouyi, hexagram 22 ↗

Chinese Text Project · Book of Changes ↗

Text extraction and reference check: 2026-10-08. Readings vary between editions; consult the original for textual scholarship.

Which part of the pattern relates to your situation? Consider the historical context before bringing your own experience to reflection.

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